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	<title>JuJe Collective</title>
	<link>https://jujecollective.com</link>
	<description>JuJe Collective</description>
	<pubDate>Fri, 06 Aug 2021 14:45:07 +0000</pubDate>
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		<title>Home </title>
				
		<link>https://jujecollective.com/Home</link>

		<pubDate>Mon, 02 Aug 2021 21:38:21 +0000</pubDate>

		<dc:creator>JuJe Collective</dc:creator>

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&#60;img width="2592" height="1728" width_o="2592" height_o="1728" data-src="https://freight.cargo.site/t/original/i/5560fd9da8ea00140a60231def5291d24139aa07fc5d82d1ee2286af2770d960/126200128_956108204915419_3872161791241604188_n.jpg" data-mid="115235346" border="0"  src="https://freight.cargo.site/w/1000/i/5560fd9da8ea00140a60231def5291d24139aa07fc5d82d1ee2286af2770d960/126200128_956108204915419_3872161791241604188_n.jpg" /&#62;



	
	



JuJe is the inter-conceptual journey of two artists—Julie René de Cotret and Jefferson Campbell-Cooper—as they live, discuss, and support each other in research and production, sustain individual visual art practices, and make works in conversation or fully in collaboration. They are based in Hillsburgh, Ontario.
︎︎︎︎︎︎︎︎︎
 &#38;nbsp;In the context of a virtual, long-distance residency at ID:I Galleri in Stockholm, JuJe will develop bodies of work that address our complex relationship with the lands on which we reside, as well as the surrounding locales. Thus far, our collaborative work has been concerned with the extractive agenda of our country, Canada, and the reality of climate change. Works like Terrestrial Nautica (2017-2019), and Rock Extraction (2019) illustrate the absurdly unsustainable extraction occurring on a large scale in the small community of Hillsburgh, Ontario, where we live, one hour outside of Toronto.

Often sprayed with chemicals, these monocropping lands form the ad hoc stage for a frenzied, fast-paced, site specific intervention. Living and practicing on the parcel of land they inhabit, JuJe Collective often produces work that consists of absurd, disruptive gestures that challenge our idealized conception of bucolic living and agricultural landscapes. They highlight the environmental and sensorial turbulence that humans enact upon their natural surroundings in quick, highly theatrical performances.Laura Demers, 2021


In March 2020 as the pandemic became reality, our focus centred more attentively on the place that we inhabit. Every work we had produced in collaboration prior to the pandemic was inspired and completed here, on this one acre of land. These works were exhibited internationally, but there is more here than we had considered. In isolation, the trace of light in time became the true indicator of the moment, connecting us to reality. We are entering a new phase in our practice, one with a heightened consideration for this place. &#38;nbsp;Between August 6th and 15th, 2021, we will produce and present new works in the form of video, photography and also drawing. The works produced during this period, though a continuation of our focus on this one acre, will take our gaze and considerations to its periphery, as we examine, investigate, and study the unsustainable growth of this rural region as development and extraction depict the cannibalistic reality of the colonial way of life. -JuJe



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		<title>ID:I Galleri Residency</title>
				
		<link>https://jujecollective.com/ID-I-Galleri-Residency</link>

		<pubDate>Fri, 06 Aug 2021 14:45:07 +0000</pubDate>

		<dc:creator>JuJe Collective</dc:creator>

		<guid isPermaLink="true">https://jujecollective.com/ID-I-Galleri-Residency</guid>

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JuJe is pleased to present a production project for the occasion of a virtual residency with ID:I Galleri, Stockholm. New works and works in progress get uploaded on this page.&#38;nbsp;

Resource extraction is at the core of Canada’s history and current economy, JuJe has been focussed on resource extraction and its environmental impacts, from the very start of the collective. 
Our residency focusses on two areas of interest:
The sensitive ecosystem and biodiversity of West Credit River, where the endangered population of Brook Trout is threatened by our municipality’s proposed sewage plant.
&#38;amp;To document and collect date on the transport truck mouvements in the hamlet of Hillsbugh Ontario.&#38;nbsp;
WEST CREDIT RIVER

The river focus of the project is motivated by a sewage plant which will kill a native fish already under significant threat of extinction. Over 7000000 litters a day of effluent will be dispurced into this fragile ecosystem/trout estuary, a UNESCO Niagara Escarpment World Biosphere Reserve site with tremendous biodiversity.
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West Credit River cyanotypes serie, 2021. Cyanotypes on found precut cotton.&#38;nbsp;


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West Credit River, 2021. Performance.
 

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TRUCK MEASURES, 2021


Monday August 9, 2021. 6am to 4pm.


An observation post was set up in the small space between the house and the road to document and collect data on the transport truck movements for a ten hour period, on Trafalgar Road, in the hamlet of Hillsburgh, Ontario. &#38;nbsp;

Data collected included:
-type of truck
-direction
-identifiable markings
-loaded or empty
-tarped or not
-nature of load
334 trucks were recorded in the 10 hour time frame.


The collection of images was transposed into a stop motion video. The data continues to be analyzed, and upon initial review, the majority of truck traffic consisted of sand and gravel round trips, from local open pit mines to sites for the construction of roads and residential developments. A cartographic drawing is in production, using a distorted scale, to underline the impacts of extraction.


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		<title>Terrestrial Nautica</title>
				
		<link>https://jujecollective.com/Terrestrial-Nautica</link>

		<pubDate>Mon, 02 Aug 2021 22:37:52 +0000</pubDate>

		<dc:creator>JuJe Collective</dc:creator>

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Terrestrial Nautica (2017-2019) documents a performance in which the artists, Julie René de Cotret and Jefferson Campbell-Cooper, drive a survival vehicle (a DIY hybrid combining a snowmobile and an aluminium boat) across the industrial farming fields that is adjacent to their backyard. Often sprayed with chemicals, these monocropping lands form the ad hoc stage for a frenzied, fast-paced, site specific intervention. Living and practicing on the parcel of land they inhabit, JuJe Collective often produces work that consists of&#38;nbsp;absurd, disruptive gestures that challenge our idealized conception of bucolic living and agricultural&#38;nbsp;landscapes. They highlight the environmental and sensorial turbulence that humans enact upon their&#38;nbsp;natural surroundings in quick, highly theatrical performances.

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		<title>Rock Extraction</title>
				
		<link>https://jujecollective.com/Rock-Extraction</link>

		<pubDate>Tue, 03 Aug 2021 02:16:24 +0000</pubDate>

		<dc:creator>JuJe Collective</dc:creator>

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Rock Extraction,&#38;nbsp;2019. Wood, steel, fiberglass, rubber.
We live in a geographical region rich in mineral deposits from glacial times, in a town surrounded by gravel pits. Gravel trucks raddle the little house where we live, day and night. Fresh water springs are abundant in this area. The Credit River, among other bodies of water, is one of the last spawning grounds for the Brook Trout, a fresh water fish that is endangered. We live in a watershed; all the water runs through this gravel and gets purified. Instead, in recent years, the gravel is increasingly used for residential developments.  
A boulder-shaped trailer  has served as a mobile installation and prop for JuJe for several years, during performances such as Rock Extraction (2019). During this performance, the object was sacrificed to depict the absurdity and cannibalistic nature of Canadian extraction.&#38;nbsp;


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		<title>Biennale des espaces d'art indépendants de Genève</title>
				
		<link>https://jujecollective.com/Biennale-des-espaces-d-art-independants-de-Geneve</link>

		<pubDate>Wed, 04 Aug 2021 16:43:53 +0000</pubDate>

		<dc:creator>JuJe Collective</dc:creator>

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La Milkshake Agency présente JuJe Colective, Jefferson Campbell-Cooper et Julie René de Cotret, dans l’exposition “Minimart”, dans un container à La Biennale des Espaces d’Art Indépendants de Genève (BIG). Le projet “Minimart” est composé d’une variété d’œuvres produites durant une courte résidence à La Milkshake Agency avant la BIG. Les deux artistes travaillent ensemble et indépendamment pour créer un tout qui permet l’interaction avec le public à travers deux pratiques artistiques distinctes mais complémentaires.
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Quest Borealis, installation presented in the context of the Biennale des espaces d’art indépendants de Genève (Plaine de Plainpalais, 2015)

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		<title>Works in progress</title>
				
		<link>https://jujecollective.com/Works-in-progress</link>

		<pubDate>Wed, 04 Aug 2021 17:16:02 +0000</pubDate>

		<dc:creator>JuJe Collective</dc:creator>

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